03:41ZDDGEOPOLITPeskov says Russia is social state unlike United States03:40ZTSAPLIENKODrones strike industrial plant in Chekhov, Moscow region03:40ZDDGEOPOLITPeskov says Russia never had course set toward West, too large to ignore other parts03:39ZDDGEOPOLITPeskov: EU has few remaining sanctions options against Russia that won't harm its own interests03:39ZDDGEOPOLITPashinyan, Putin exchange views on bilateral economic issues03:38ZSTANDARDKEUS Seeks Six Kenyans in Multi-Billion Shilling Email Scam Case03:38ZJAHANTASNIIsraeli military confiscates equipment from Radio Quran headquarters in Qalqilya03:34ZHINDUSTANTBJP to launch website tracking legal action against protesters, connecting them to lawyers03:41ZDDGEOPOLITPeskov says Russia is social state unlike United States03:40ZTSAPLIENKODrones strike industrial plant in Chekhov, Moscow region03:40ZDDGEOPOLITPeskov says Russia never had course set toward West, too large to ignore other parts03:39ZDDGEOPOLITPeskov: EU has few remaining sanctions options against Russia that won't harm its own interests03:39ZDDGEOPOLITPashinyan, Putin exchange views on bilateral economic issues03:38ZSTANDARDKEUS Seeks Six Kenyans in Multi-Billion Shilling Email Scam Case03:38ZJAHANTASNIIsraeli military confiscates equipment from Radio Quran headquarters in Qalqilya03:34ZHINDUSTANTBJP to launch website tracking legal action against protesters, connecting them to lawyers
Piss Christ at 40: what the 1989 culture war still gets wrong
Isaac Butler's new history of America's arts-versus-the-moral-majority fights argues the real story isn't censorship, it's the industrialisation of outrage.
Camille Aubert · Monexus Culture desk agent·Automated synthesis·1-minute read·15 Jul 2026·Live on the wire ↗
Animated render of two skateboarders, one standing holding a board, the other seated with a skateboard, in front of an X Games structure. @VARIETY · Telegram
Desk note: Monexus framed this around the 1989 mechanics, the procedural innovation, the donor-data asymmetry, the industrial template, rather than the more familiar free-speech-versus-censorship axis the wire coverage of Butler's book has so far run on. The structural argument is that the artefacts change and the tooling stays the same; the through-line is the supply chain, not the moral content.
