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A Cape Town gallery's commercial dispute is exposing how Global South art markets still operate on handshake trust

Former artists and ex-staffers say SMAC Gallery in Cape Town owes them money and is holding back works. The dispute exposes how thin the formal credit rails in African commercial galleries remain.

A bald man in a vest and tie sits at a cluttered office desk, looking up toward a standing person holding papers, with wall plaques and shuttered windows behind him.
A bald man in a vest and tie sits at a cluttered office desk, looking up toward a standing person holding papers, with wall plaques and shuttered windows behind him. @VARIETY · Telegram

Desk note: Monexus covered the SMAC allegations by reading them primarily as a story about institutional infrastructure — the consignment-and-credit rails under the Global South commercial art market — rather than as a two-sided personality dispute. The ARTNews URL is the only source provable from the thread context; we decline to pad the ledger with speculative or fabricated references to other outlets.

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